Restoration workshop · Armenia

Book restoration
We preserve the book; we do not make it again

The restoration and conservation of books is one of the principal professional strands of our work. We work with old and rare editions, family books, collectible copies, albums and other book monuments.

A Japanese photograph album of the nineteenth to twentieth century after restoration
Authentic material

We keep authenticity

A book is valuable not only for its text. The binding, paper, sewing, signs of use, ownership marks, earlier repairs and natural ageing are part of the history of the particular copy.

The task of restoration is therefore not to make an old book look new, but to retain as much authentic material as possible, restore structural integrity and allow safe storage and use.

“Before intervening in the structure of an old book, it is necessary to understand what in it should be preserved.”
Understanding the object first

Restoration begins with an understanding of the object

01

We study the structure

Before we intervene we establish the construction of the book and the condition of the binding, paper, sewing and earlier repairs.

02

We keep what is original

We retain authentic elements wherever this is possible and justified.

03

We introduce the new only when needed

New materials are used only to stabilize the structure, protect the original and allow further safe use.

04

The degree of intervention is decided for each copy

Signs of use are not always a defect. They may be part of the history of the particular copy.

We retain as much of the book’s original material as possible and intervene in its structure only as far as is necessary for further safe storage and use.

For complex and valuable objects the decision on restoration is taken after an inspection and a discussion of the task with the owner.

Begin with photographs of the book

Need restoration?

To form a preliminary view of the book’s condition and the likely scope of work, please send several photographs:

  • a general view
  • the binding from the front and the back
  • the spine
  • the edges
  • the title-page
  • close photographs of the principal damage

serge.relier@gmail.com

Before work begins the operations and the fee are agreed separately for each object.